Hey man, I'm up at Berklee as well. I'm graduating here in about 9 months, so I've been around there for awhile. I'm also an MP&E major. Since I'm in the dorms, I don't really have the best mixing environment, however, that's not really an excuse sometimes Like the other guys have said, the best possible way to gauge your monitors is to constantly listen to your favorite (and most familiar) albums. That way, you can really get a sense of how things are sounding on your speakers in combination with their placement, the desk they're on, your position in relation to them, the room itself, etc. Listening at extreme low and high levels will help as well (again, noted before). Most speakers react similarly at lower levels as the room and its surrounding play less of a role at those levels. But along with the technical side of things and using techniques, etc., it's also just a matter of knowing your speakers. I'm currently using M-Audio BX5's (read: drastically less low end compared to the V8's) for their portability and size. So I know how you feel there. They do sound great though, don't get me wrong. Despite that though, it took a few good listens of my previous mixes and other material to break them in. Once you're comfortable, it doesn't matter what speakers they are. I know for a fact that Bob Clearmountain does some mixing on tiny Apple self-powered speakers. A friend of mine, who can't afford monitors uses Altec Lansing computer speakers. Bottom line: they know what their stuff sounds like and their mixes are great. Anyway, sorry for the rambling Good luck man!